So I ask you , why are you throwing out your CD player ? How could you stand listening to any of the rubbish that was produced by any of those jew names listed ?.

It was a joke -- I flunked the test because I really didn't know enough of these clowns to matter.

Fact is I mostly listen to old soundracks anymore, I got quite a collection. I strongly recommend pre-1965 scores to epic films, which all these years later sound pretty good. Being Hollywood, the Jew factor is high but for once it don't seem to affect the music. They were still mimicking Europe's best back then and they cranked out some good notes.

Recommended:

(THE BEST): The Blue Max, Jerry Goldsmith, 1964.

(SECOND BEST) The Wind and the Lion, Jerry Goldsmith, 1977 or so.

Good depending on yer mood:

Ben-Hur, Miklos Roza, 1959

Note: Miklos was Hungarian... I don't know if he was a plain Hungarian or Jewish. Either way he did some of the better epic scores. Also by Miklos and worth a listen:

Quo Vadis (1950), King of Kings (1963), El Cid (1965).

Oddities but fun:

Land of the Pharaohs, Dimitri Tiompkin, 1955. (Tiomkin is Russian or...)

John Williams, various Star Wars stuff. (Williams' scores lift so much from the older epics it's fun to pick out which ones he's stealing from at any given time. Pieces of Ben-Hur were in the first three, lots of Max Steiner's Gone With The Wind score show up in the more recent episodes.)

Good soundtracks for when you're at fencing class, jogging, or pressing weights:

Taras Bulba, The Long Ships, The Vikings, Mutiny on the Bounty (1962), The Pride and the Passion, Atlantis the Lost Continent (Rare, but they're out there...)

Last and rarest:

War and Peace, 1958, Nino Rota. Often confused with Ennio Morricone, who did some great shit too, Rota is mostly known for scoring Fellini movies. But this great soundtrack shows what a genius can do with a crappy movie.

Not incidentally, most of the movies above ARE crappy. Half I didn't see. But good soundracks are the 20th century's least-known art form. Don't matter who did them, and some were the best music of their time by default. But what the hell, good is good.

The 'full' list, as it were, has been posted in this thread: The Kikes in Rock 'N' Roll

There are many bands of lesser note, not included in that list. One that I know of is called "Consolidated" which was either led by a Jew or consisted entirely of Jews. They were politically-correct 'white' rappers and, at least in the beginning, got good promotion on MTV.

Also, Jews are heavily disproportionate among what are called "session musicians" (playing music on non-Jew band's records) not only because many of them come from privileged backgrounds that allow them to become skilled with different instruments, but because they are heavily concentrated in areas where there are recording studios: New York, Los Angeles, London, etc.

BINGO! The jews are crappy and the Whites make money for them.

It's been true for about 2300 years . Goys just don't seem to learn , outside a precious few .

For Mrs. Theseus and I, it was a "who's who" of everyone of whom we said "why is this person famous?"

You too ......

Jew or Not?

Quiz Results Score: 90% (18 of 20)

Your score

100-90%: A. You might be a little too into this. You're scaring us.

I thought Pink and Beck weren't jewz.

Now I'm better informed.

Who are they?

http://www.sleater-kinney.com/

Hank Williams, George Jones, Dwight Yoakum, Patsy Cline, Tammy Wynette, Emmylou Harris,Lucinda Williams...not jews. Jews and blacks are rare as hen's teeth in Country and Western (and not just the junk that they play on the radio).

White people's music...give it a try.

Hank Williams, George Jones, Dwight Yoakum, Patsy Cline, Tammy Wynette, Emmylou Harris,Lucinda Williams...not jews. Jews and blacks are rare as hen's teeth in Country and Western (and not just the junk that they play on the radio).

Looks like the jews are trying to ruin that too.

http://www.cowboytroy.com/

Hank Williams, George Jones, Dwight Yoakum, Patsy Cline, Tammy Wynette, Emmylou Harris,Lucinda Williams...not jews. Jews and blacks are rare as hen's teeth in Country and Western (and not just the junk that they play on the radio).

White people's music...give it a try.

I, for one, happen to like a lot of the country being put out since the late 90s -- it's infinitely more rockin' than the beehive bullshit of the 60s for example. However, the main reason I refuse to listen to C&W radio stations (there's loads of 'em I can pick up in my semi-rural county, hardly any good rock stations tho ) is because of all the flag-waving, pro-Iraqi war nonsense these simpletons spew out in their songs (Toby Keith's "American Soldier" being a prime example). No other genre of music is so unwittingly playing into the claws of the jew. Hell, rap "artists" are more anti-jew/jew war than country singers are.

Rednecks are alright to an extent (they hate muds), but 99% of them are in no way jew-wise. They still buy into the "America, right or wrong" b.s.

Even the Jew, Bob Zimmerman, would never have been a so-called "star" except his crappy singing, lousy instrumentation and strange lyrics were all promoted by the Jewish recording moguls.

If you want to increase your jewdar abilities, study the software entitled JewFace V2.0 for windows. It's a free download here:

http://www.bamboo-delight.com/raxbrax/Bottomsup.ZIP

Sorry, Billy -- just a stickler for details is all.

(Toby Keith's "American Soldier" being a prime example).

He's the one that'll put a boot in your ass, right?

He has a way of holding onto notes too long with a shitty, uneven vibrato in his voice that irritates me.

After listening to a day of country music at work I found that the only song that even resembled "country music" was Randy Travis' "Forever and Ever, Amen". All the other songs sounded like Top 40 chord progressions. And, ironically, a few of them are cross-over hits.

He's the one that'll put a boot in your ass, right?

Yup, that's him. Real bad boy isn't he?

Hey, if the cowpie's so hot to put a boot up an Arab's shitchute he can always trade in those pointy-toed shitkickers for a pair of jump boots and have at it, eh?

Methinks Keith and his tough-talking cowhorts are far more comfortable licking jew ass than kicking Arab ones.

I hear tell Charlie Daniels put out a pro-war ditty too. Don't know the name...

Anyone who likes Rush has no taste . The second I first heard their music -- before I knew there were jews in the group -- I knew they were a bunch of sterile , phony shit . Their music relies on pyrotechnics and complicated time changes to cover up a lack of genuine musical substance . And the singer is so bad and grating he's in a league with Michael Bolton (another jew) .